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It reaches a merely superficial truth, the truth of accountants. By dint of declaration the so-called Cinema Verité is devoid of verité. Truth and fact in documentary cinema “Lessons of Darkness” 1. Finally, I want to thank my family-Veronika, Isaac, and Max-for their constant love and support in all my endeavors. At the University of Minnesota Press, I am particularly grateful to Jason Weidemann and to his assistant, Danielle Kasprzak, for their editorial guidance. Both the German department at Columbia University and a Herzog retrospective at Arizona State University gave me opportunities to hone key ideas and their presentation in writing. At the University of Washington, I am grateful to my students for exploring the films with me, to Stephanie Welch for helping me prepare the illustrations, and to the Department of Germanics for providing a book subvention. Special thanks go to Brad Prager for his detailed and constructive feedback on the entire manuscript. They include Maya Barzilai, Jane Brown, Dan Gilfillan, Deniz Göktürk, Marianne Hirsch, Anton Kaes, Monika Kaup, Sudhir Mahadevan, Brigitte Prutti, Mark Sandberg, and Diana Taylor. Several people read portions of the manuscript, and it benefited enormously as a result. I have a number of people to thank for the help they gave me in writing this book. Autobiographical Acts I Am My Films Portrait Werner Herzog My Best Fiend Grizzly ManĬonclusion: Herzog’s Verité Encounters at the End of the World Cave of Forgotten Dreams
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Reenactments Little Dieter Needs to Fly Wings of Hope Rescue Dawnħ. Cultural Politics Fitzcarraldo Ballad of the Little Soldier Ten Thousand Years Older The White DiamondĦ. Baroque Visions The Great Ecstasy of Woodcarver Steiner Death for Five Voices God and the Burdenedĥ. Ecstatic Journeys Huie’s Sermon Bells from the Deep PilgrimageĤ. Moving Landscapes The Dark Glow of the Mountains Fata Morgana La Soufrière Lessons of Darkness Wheel of Timeģ. Sensational Bodies Game in the Sand Handicapped Future Land of Silence and Darkness WodaabeĢ. Introduction: Werner Herzog, Documentary Outsider Werner Herzog Eats His Shoeġ.
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PN1998.3.H477A63 2012 070.1'8-dc23 2012030014 Printed in the United States of America on acid-free paper The University of Minnesota is an equal-opportunity educator and employer. Herzog, Werner, 1942-Criticism and interpretation. (Visible evidence 27) Includes bibliographical references and index. Ferocious reality : documentary according to Werner Herzog / Eric Ames. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 Library of Congress Cataloging-in-Publication Data Ames, Eric. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Copyright 2012 by the Regents of the University of Minnesota All rights reserved. The Minnesota Declaration copyright by Werner Herzog. Part of chapter 5 was previously published as “The Case of Herzog: Re-opened,” in A Companion to Werner Herzog, ed. 2 (2009): 49–69 copyright 2009 by the University of Texas Press all rights reserved. A portion of chapter 2 was previously published as “Herzog, Landscape, and Documentary,” Cinema Journal 48, no. The University of Minnesota Press gratefully acknowledges financial assistance provided for the publication of this book from the Department of Germanics, University of Washington. University of Minnesota Press Minneapolis JAPANESE DOCUMENTARY FILM: THE MEIJI ERA THROUGH HIROSHIMAįEROCIOUS REALITY Documentary according to Werner Herzog ERIC AMES Visible Evidence 27 SHIMMERING SCREENS: MAKING MEDIA IN AN ABORIGINAL COMMUNITYįOREST OF PRESSURE: OGAWA SHINSUKE AND POSTWAR JAPANESE DOCUMENTARYį IS FOR PHONY: FAKE DOCUMENTARY AND TRUTH’S UNDOINGĪlexandra Juhasz and Jesse Lerner, Editors 16 THE RIGHT TO PLAY ONESELF: LOOKING BACK ON DOCUMENTARY FILMĬIRCUITS OF CULTURE: MEDIA, POLITICS, AND INDIGENOUS IDENTITY IN THE ANDES
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VISIBLE EVIDENCE Michael Renov, Faye Ginsburg, and Jane Gaines, Series Editors 27įEROCIOUS REALITY: DOCUMENTARY ACCORDING TO WERNER HERZOGĬREATING THE WITNESS: GENOCIDE IN THE AGE OF FILM, VIDEO, AND THE INTERNETĬINEMA’S ALCHEMIST: THE FILMS OF PÉTER FORGÁCSīill Nichols and Michael Renov, Editors 24 Introduction: Werner Herzog, Documentary Outsider